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503Studio Masterclass: Playing With Time
How does time work within plays? Who really knows for sure. But the fun thing is that you can do anything you want with it to make it somehow feel right for the play you’re writing. The workshop will look at how time can be used to drive the narrative, put pressure on characters, and generally do weird things with the form of the play.
Thanks to our Share The Drama scheme, we want to make sure those of you who are struggling in the current climate can still take part in our Writers Programme. While we prioritise anyone who is long term unemployed and/or claiming benefits, we’re also offering subsidies if you’re in financial difficulty as a result of the Covid-19 crisis.
To express interest in a bursary place through our Share The Drama scheme, please sign up here. If you would prefer to speak directly to a member of our team about your circumstance or to ask for more information about this scheme, please contact us.
If you have any access requirements, you can let us know here. If you would rather discuss any access requirements and how we can accommodate them prior to booking, please get in touch with us here.
Time: 7pm – 9.30pm
Running time of workshop: 2.5 hours – delivered online. Maximum class sizes are 14. A portion of spaces have been reserved for Share the Drama places.
To sign up for advanced booking for future iterations of the 503Studio: Writers Programme, please join the waiting list here.
Simon Longman is a playwright from the West Midlands.
His plays include Patient Light (Eastern Angles); Island Town (Paines Plough); Gundog (Royal Court); Rails (TBTL); White Sky (RWCMD/Royal Court); Sparks (Old Red Lion); Milked (Pentabus Theatre Company).
He is the recipient of the 49th George Devine Award for Most Promising Playwright and has previously won the Channel 4 Playwrights’ Scheme.
His work has been translated and produced internationally.
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