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503Studio Masterclass: Feedback
Feedback! We all need it. It can progress your writing so much better, but at times it can feel like it’s trying to turn your writing into someone else’s. In this session, Eve Leigh will lead a short talk, group exercise, and discussion on getting the best out of your writing, as well as your collaborators. By the end of this masterclass, you will feel more confident in how to give feedback, receive it and collaborate.
Thanks to DCMS Cultural Recovery Fund and our Share The Drama scheme, we want to make sure those of you who are struggling in the current climate can still take part in our Autumn Writers Programme. While we prioritise anyone who is long term unemployed and/or claiming benefits, we’re also offering subsidies if you’re in financial difficulty as a result of the Covid-19 crisis.
To express interest in a bursary place through our Share The Drama scheme, please sign up here. If you would prefer to speak directly to a member of our team about your circumstance or to ask for more information about this scheme, please contact us.
If you have any access requirements, you can let us know here. You can view what we currently are able to offer on our Accessibility page. If you would rather discuss any access requirements and how we can accommodate them prior to booking, please get in touch with us.
Time: 2 – 4.30pm
Running time of workshop: 2.5 hours – delivered online. Maximum class sizes are 14. A portion of spaces have been reserved for Share the Drama places.
To sign up for advanced booking for future iterations of the 503Studio: Writers Programme, please join the waiting list here.
Eve Leigh is a playwright, theatre-maker and dramaturg.
Eve’s plays include: Midnight Movie (Royal Court); While You Are Here (The Place/Dance East); The Trick (Bush Theatre, national tour); Spooky Action at a Distance (Royal Court/RWCMD); The Curtain (Young Vic Taking Part); Stone Face, and Silent Planet (Finborough Theatre).
Game design, installation, and digital works include: The Delegation (Coney/Точка доступа); Invisible Summer (Royal Court); Movimento/Variations (36 маймуни/Bulgarian National Theatre Festival); Your Future (HAU/Sophiensaele/Ballhaus Ost/Camden People’s Theatre).
Commissions include: National Theatre Connections, Audible, Royal Shakespeare Company, Sheffield Theatres, PappyShow.
Residencies include: Royal Court 2019 and 2017, Experimental Stage of the National Theatre of Greece 2017, AIDF Teatr Polski Bydgoszcz 2016.
Awards include: Berlin Theatertreffen Stueckemarkt selection 2021, Sarah Award for Audio Fiction 2020, Jerwood/Royal Court New Playwright Award 2019 (with Jasmine Lee-Jones), Women’s Prize for Playwriting Finalist 2020, Bruntwood Prize shortlist 2019.
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