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503Studio: Brian Mullin

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503Studio Masterclass: Finding the End

The first part of your play is going smoothly, you’re deep in the characters and their conflicts and obstacles – but you just can’t figure out how it resolves. In this session, Brian Mullin will explore how to create a satisfying ending to your play, how the last scenes and moments affect us and what they mean for our characters. This is a good workshop for anyone who is currently in the middle of a script – or anyone who wants some deep thinking about how stories function.

To be added to our waiting list, please sign up here (please note that some places have been held off sale to prioritise Share the Drama beneficiaries – see below)

Thanks to DCMS Cultural Recovery Fund and our Share The Drama scheme, we want to make sure those of you who are struggling in the current climate can still take part in our Autumn Writers Programme. While we prioritise anyone who is long term unemployed and/or claiming benefits, we’re also offering subsidies if you’re in financial difficulty as a result of the Covid-19 crisis.

To express interest in a bursary place through our Share The Drama scheme, please sign up here. If you would prefer to speak directly to a member of our team about your circumstance or to ask for more information about this scheme, please contact us

If you have any access requirements, you can let us know here. You can view what we currently are able to offer on our Accessibility page. If you would rather discuss any access requirements and how we can accommodate them prior to booking, please get in touch with us.

Time: 7 – 9.30pm

Running time of workshop: 2.5 hours – delivered online. Maximum class sizes are 14. A portion of spaces have been reserved for Share the Drama places.

To sign up for advanced booking for future iterations of the 503Studio: Writers Programme, please join the waiting list here.

Photo credit: Kevin Murphy


Brian Mullin is a former 503Five writer, whose debut play We Wait In Joyful Hope was produced at Theatre503 in 2016.

His other work has been developed at The Yard, High Tide, Oval House and the Orange Tree Writers Group. His latest show as writer-performer Live To Tell is in development this year at Battersea Arts Centre, where it was commissioned as a digital film.  He has created text for Alex Mills’s opera Leonardo at the V&A Museum and for OUR FATHERS by international devising company Babakas, which toured across the UK and Europe. Brian also leads numerous writing workshops and playwriting classes at institutions including the National Theatre’s Learning Department, St Mary’s University’s MA Playwriting course and City Lit’s Advanced Playwriting Workshop (where his teaching has been described as “structured and inspiring,” “an excellent course,” “great for getting the creative juices flowing!”).


Artistic Team

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